They think I’m hiding in the shadows...watching...waiting to strike....BUT I AM THE SHADOWS.
In the last decade, the world of entertainment has seen its fair share of cinematic universes, with Marvel taking the helm and DC always trying to play catch up. We had almost 27 films from Marvel, most have been largely successful and on DC’s camp had about 12 projects (11 movies and one HBO Max series) and it's been a rough road for DC these past 10 years. More specifically, it’s been a lot rougher for Batman fans like myself. Since the Dark Knight Rises, we had the disastrous theatrical release of Batman V Superman: Dawn of Justice, where almost everything about it except for Ben Affleck himself was just not worth it all. Arrow basically stole the limelight from Batman himself within the CW. The only good thing that Batman fans had to endure this past decade was the release of the critically acclaimed animated The Lego Batman Movie. Batman has not had a solo live action film SINCE 2012 and it's about time DC’s iconic Cape Crusader finally returned to the big screen, though through the lens of a filmmaker that truly 100% cared about the character.
For years, I’ve always wanted to see the World’s Greatest Detective on the big screen. Yes, he does do some detective work in the older movies, but they’ve been glossed over. Batman is more than just a dude that looks scary and beats up bad guys. Heck, there is a reason why DC stands for “Detective Comics.” I would’ve loved to see Ben Affleck at the helm and give his take on the character seeing as he also played him. Yeah, there was a period where he was supposed to direct the film, but dropped out due to a multitude of reasons. I was getting a tad bit concerned in regards to who was gonna direct this movie because it was going to be hot water if WB doesn’t hire someone real soon. Then in early 2017, it was announced that Matt Reeves (director of Cloverfield, Let Me In, Dawn of/War For The Planet of the Apes) was officially hired to direct. From then on, my concerns fled out the window because this is a filmmaker that truly cares about his craft and had yet to make a truly awful movie-going experience. I was officially on board, but I still had reservations as WB, the studio behind the film, has a not-so-great reputation when it comes to handling it’s line up filmmakers (look at the history behind the Justice League movie for crying out loud). I was worried that WB was going to hijack the production just like how they did with Suicide Squad and Justice League.That was until Reeves threatened to leave the project unless he is granted full total creative control. The film has been in production for almost 2 years and had to get constantly delayed due to the pandemic. It’s finally out and I can safely say that the wait was absolutely worth it.
The Batman stars Robert Pattinson (as Batman/Bruce Wayne), Zoe Kravitz (as Selina Kyle/Catwoman), Paul Dano (as Edward Nashton/The Riddler), Jeffery Wright (as Lt. James Gordon), and Colin Ferrel (as Oswald Cobblepot/ The Penguin). After two years of making a name of himself as this nocturnal monster that lurks from the shadows to prey on Gotham’s criminals, the Batman investigates the grizzly murders of Gotham’s Elite left by a serial killer named the Riddler, who leaves behind cryptic messages that’ll supposedly expose the corruption that has plagued over this mess of a city.
Without going into spoilers, I have only seen this movie twice and I plan to see it a lot more in the future. This, to me, is officially the greatest comic book film of all time. It is on par with Christopher Nolan’s The Dark Knight in almost every conceivable way imaginable. Some will say that this film was too long, hence the 3 hour runtime, but to me this was the perfect length to tell a story such as this. There is just so much to unpack from a storytelling standpoint. Everything from Greig Fraser’s gorgeous cinematography to Michael Giacchino’s haunting musical score, and Matt Reeve’s attention to his characters as opposed to the plot itself has been elevated to a standard most storytellers and filmmakers dream of achieving. Every shot and every frame is so meticulously well crafted with shadows and well light areas. Every track in the soundtrack feels like a powder keg waiting to burst. There are moments where it felt like a horror film and that doesn’t mean the horror aspects take away the fact this is primarily a detective film noir with Batman as the star player. It is a solid addition and it matches the themes this movie is presented with. Like when this film’s version of the Batmobile gets introduced, it is intense and horrifying. Like an animal growling in the darkness. Or when Batman claims he IS the shadows, bringing the fear to all of Gotham’s criminals.
The villains are more uniquely portrayed here than in other adaptations. First of all, Colin Ferrel looks NOTHING like he normally does. The make up work in this is on another level, it is that good, but his performance as this 2nd in command mob boss feels a lot more grounded than Danny Devito’s “must eat fish to stay alive” mentality from Batman Returns. I will always have a soft spot for Jim Carrey’s Riddler, but Paul Dano’s very clearly Zodiac-inspired Riddler is both over the top and downright creepy in all the right ways-helps add to that horror aspect. I was never really a fan of John Turturro, wasn't sure if he could pull off the ruthless mob boss, Carmine Falcone. However, he actually surprised me over how down-to-earth and scummy his character actually is.
Zoe Kravitz brings this sincereness to her performance as Selina. Like everything she does she believes is the right call, when it clearly isn’t and her relationship with Pattinson is well handled (More on Pattinson in a bit later). While my preferred Catwoman is Michelle Pfiffer, Zoe is my second favorite Selina Kyle as she has a lot more depth to her performance. If anything she kind of reminded me of the Catwoman from the Batman Arkham games, and I am a huge fan of those games. I knew Jeffery Wright was going to knock it out of the park as Gordon, he brought the right balance of humor in a world that is basically the absolute opposite. If it wasn’t for his version of Gordon, then this film would just be a completely depressing movie from start to finish. Andy Serkis’ version as Alfred was decent despite the limited screen time.
One thing one must know about Matt Reeves is that he isn’t in it for the plot really, but wants to bring attention to the characters he is bringing to the screen, which is probably the most important aspect for a film regarding a guy dressed as a bat. As much as I loved Christian Bale’s Dark Knight, The Batman himself, Robert Pattinson, is the definitive take on the character. I don’t want to hear the whole “this guy just can’t do Batman because of Twilight.” Everyone, Twilight was a decade ago, learn to move on. Even Pattinson himself despises both the movies AND the books despite him being in them. He clearly did those movies as means to earn a paycheck, and he has not appeared in a major blockbuster since then. Mostly worked on independent, mostly arthouse type films. The man is an amazing actor and I was one of the few that was actually excited to see his take on the caped crusader. Why? Because I learned my lesson from the likes of Ben Affleck, Michael Keaton, Heath Ledger, and Robert Downey Jr. It is because these are just actors hired to play a specific role and it only depends if the role in question is written well enough to spawn a genuinely good performance. In this case, Robert Pattinson over-exceeded my expectations with his performances as Batman. Despite the brutal nature of the character, he is mostly a silent stalker of the night. He doesn’t say a lot, but carries his performance through his eyes and body language. You can tell just how badly damaged this man actually is by the way he moves around. He almost seems kind of robotic, helps add that sense of the unnatural. There are a few sequences that heavily remind me of the classic and iconic animated “Batman: Mask of The Phantasm” and “Batman: Mystery of the Batwoman” where he just stands in complete silence and yet somehow tells us everything one needs to know about a certain situation, if that makes any sense. This version of Batman has a no kill rule, FINALLY! While yes, the Nolan trilogy implies that version of Bruce has a no kill rule, he still basically kills the fake Ra’s, the real Ra’s, pushes Harvey Dent to his death to save Jim’s son, killed a bunch of Talia’s henchmen and killed Talia herself-leading to one of the worst death scenes in cinema history.
While yes, this review is mostly a non-spoiler one, I need to bring light to a large complaint many have had regarding this film and that is the lack of Bruce Wayne. Yes Bruce Wayne does appear in the film, but he’s not the focus and there is a good reason why. You see, in the comics and even the Arkham video game series, Bruce Wayne in his early days was always this brash, rageful man who was OBSESSED with his creation-THE BATMAN. He sees being out in public without his batsuit as a giant waste of time. He has this unhealthy obsession of trying to fix his broken city. In this movie, Bruce Wayne doesn’t matter at all and the only thing that does matter is The Batman. There are various scenes where Bruce and Alfred are constantly butting heads in regards to who is in control-the Bat or The Man. Even when Bruce is out in public without his suit, he is still undergoing his detective work. Even without the cowl, he is still Batman. He just doesn’t care about his public appearance. The playboy look is not in for the count in this film and I am ok with that. His “emo” look helps sport the idea that he just doesn’t care about the Wayne image and cares more about the Batman. However, something happens at the end, in which I won’t spoil, where we might end up getting that classic Playboy Bruce Wayne we’re all familiar with in the sequel(s) and judging by this film’s massive success, we’re getting a sequel alright. Heck, we have two confirmed spin off mini-series, one on Penguin and one on Arkham Asylum, I can’t wait for either of these two shows.
Oh and the absolutely amazing marketing campaign this film presented us these last couple of years. The trailers and posters are gorgeous works of art, but there is one other thing that basically kept me thoroughly engaged and that is this in-universe website where you answer a bunch of riddles in hopes of looking at exclusive content for the movie. The site is titled www.rataalada.com and whoever thought this was a good idea deserves a raise in their paychecks, it is downright genius. The site itself is currently being updated with something mysterious coming very soon.
Whenever there is a comic book movie that is deemed either really good or great, we always tend to say that this film is better than Christopher Nolan’s The Dark Knight. That’s how it was like for the past decade. And don’t get me wrong, I adore The Dark Knight and a lot of films this past decade have not come close to surpassing the Dark Knight. Heck, not even “Spider-Man: No Way Home” couldn’t beat it at all. I am completely confident when I say that this is not only the perfect Batman movie ever. To me, this is one of the greatest films ever made, that is high praise coming from me. This is a film that pushes the boundaries on the genre it belongs in. It is a film that knows what it wants to be and allows the viewer ample time to know and understand the characters. The arcs these characters go through are just riveting and they belong on the big screen. I seriously hope that the team behind this masterpiece come back to provide for the sequels and spin-offs. You can just tell that the passion behind these artists are full and present. This is what happens with a studio as big as Warner Brothers actually allows the filmmaker that has an absolutely impressive filmmaking background do whatever the heck he wants, we end up paying for some real deal art. This will be the new standard for comic book filmmaking going forward.
Okay I want to be completely honest with you, I definitely believe that Matt Reeve’s The Batman is better than Christopher Nolan’s The Dark Knight, but that doesn’t mean I’ll outright toss The Dark Knight aside in favor of The Batman. I originally wanted to say that this movie is “better” than The Dark Knight, but that’s not entirely true. The Dark Knight holds a special place in my heart. I adore Nolan’s realistic take on Batman and I adore Reeve’s grounded take on Batman. So really, I guess I hold both The Batman and The Dark Knight in the same light for me. They are both powerful pieces of cinema and SHOULD be studied, explored, and enjoyed by many.